Modernist Visions

Marcel Proust’s «A la recherche du temps perdu» and Jean-Luc Godard’s «Histoire(s) du cinéma»

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Description
This book explores the work of two major twentieth-century artists by placing them in critical proximity. Marcel Proust’s A la recherche du temps perdu and Jean-Luc Godard’s Histoire(s) du cinéma connect in ways that the author accounts for through the agency of cinema and its theorisation. Cinema, the art form that characterises the twentieth century, provides the tools with which to recognise Proust’s and Godard’s shared poetic enterprise and the modernist underpinning that leads, in both cases, to the simultaneous rejection of and yearning for artistic transcendence. Rather than bringing Proust and Godard together by highlighting their similarity to cinema, the author instead considers the ways that these two major works respond to questions raised by film theory and philosophy. In this way, the communication across the formal and historical gulf that divides Proust and Godard makes itself heard.
This study offers a new approach to film-philosophy scholarship by embracing the cinematic as an inspiring channel through which to rethink not only our relationship with film but also with literature and, potentially, with art at large.
Pages
276 pages
Collection
n.c
Parution
2012-01-04
Marque
Peter Lang AG, Internationaler Verlag der Wissenschaften
EAN papier
9783034302968
EAN PDF
9783035302240

Informations sur l'ebook
Nombre pages copiables
55
Nombre pages imprimables
55
Taille du fichier
2437 Ko
Prix
43,20 €

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