Joshua Glick is Associate Professor of Film & Electronic Arts at Bard College. He is the author of Los Angeles Documentary and the Production of Public History. He also co-curated the exhibition, Deepfake: Unstable Evidence on Screen, at the Museum of the Moving Image in New York. Professor Glick's current book project explores how documentary on the left and right of the political spectrum reshaped the media industries and created oppositional visions of social change in an era of polarization.
Patricia Aufderheide is University Professor in the School of Communication at American University. Among her many published works are Kartemquin Films: Documentaries on the Frontlines of Democracy, Documentary Film: A Very Short Introduction and Reclaiming Fair Use (with Peter Jaszi). She has been a Guggenheim and Fulbright Fellow, and among her awards are the International Communication Association's Communication Research as an Agent of Change Award and the International Documentary Association's Preservation and Scholarship Award.